Plastic collected from shorelines and streets. Found objects. Discarded materials. Fragments that have been overlooked, forgotten, or written off.

He brings them together through cutting, welding, assembling, and recombination—not to disguise what they were, but to make their presence impossible to ignore.

Materials are evidence. Art is testimony.

A bottle cap can disappear into the landscape. A thousand bottle caps assembled together cannot. This is the principle behind Daniel's non-extractive practice: look closely before deciding something has no further value.

Explore the work below.

ARTIST'S STATEMENT    

PLASTICS  STATEMENT

THE MASK

JUNK TOWER

JEWELRY

PLASTIC SCULPTURES

WOODEN SCULPTURES

AMERICAN HISTORY

HINDSIGHT

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